Every pick on this page is manually verified against at least two independent data sources — platform charts, social media metrics, and industry reports. No AI scraping. No guesswork. Live-action and AI-animated productions are both considered; we grade on execution, not format.
Records of the Ten Thousand Demons — Season 11 《万妖图录传第十一季》
I Really Didn't Want to Be Reborn 《我真没想重生啊》
都重生了,谁还装富二代啊 — Season 9 《都重生了,谁还装富二代啊第九季》
聚宝仙盆之杂灵根才是真boss — Season 8 《聚宝仙盆之杂灵根才是真boss第八季》
Eight Years on the Frontier, The Emperor Begs Me 《戍边八年,皇帝求我登基》
Good Rain Knows the Season 《好雨知时节》
The Manor Nanny Became the Family's Moonlight 《庄园保姆,成了全家白月光!》
Moving the Nest 《移巢》
第二十五时区的情书 《第二十五时区的情书》
娇藏京枝 《娇藏京枝》
Secret Boss of the Five Keys
Your Loser Husband Is A Big Shot 《窝囊老公真实身份大佬》
The Return of My Mafia Husband
I'm The King Of Underground
Revenge Of The Abandoned Soldier
The Double Life of My Billionaire Husband
The Triple Life of My Billionaire Husband
My Fortune Angel Made Me a Queen
The Luna's Second Choice
Too Late, Mr. CEO
SSS-Rank: The Slum-Born Thunder God
False Weakling, True Power
Horror Game: Seduce My Ghost Teacher or Die
One Move God Mode
The Wolfless Carpenter Rules The World
Came Back Hotter With Lord's Twins
Oops, You Bullied the Alpha Queen
The Hidden Queen: My Husband's Mistress Ruined My Empire
Exiled Frontier, Wife Farms And Raises War God
The Black Mango Heir
What changed this month
August was the month AI officially overtook live-action on both sides of the Pacific. On the domestic RedGuo charts, AI short dramas and AI manhua-series dominated the all-category Top 10, with live-action holding only three spots — and the live-action #1, 《好雨知时节》, peaked at 84.85M heat on its opening day yet still ranked #3 overall behind two AI titles. Overseas, DataEye's weekly chart shows the same pattern: the final August week's Top 3 were all AI productions, and AI titles took 24 of the Top 30 seats. The macro numbers behind it: AI titles now account for roughly two-thirds of the overseas short-drama market by revenue (DataEye H1 2026), because AI cuts per-title production cost by 90%+. This is no longer an experiment — it is the default production method.